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May 18, 2015
9:59 pm
Hideous
Hideous
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I have my moments. 

This message was sent from my Atari 2600 through fiber optic cable made of fucks I no longer give.

May 18, 2015
11:23 pm
sketchez
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Pigg said
Yeah I’ve been looking into YouTube videos, and I have no idea what half of what they are saying. I look it up, and I have no idea what the explanations are talking about lol. I tried to look up mixing tutorials and it makes no sense.

 

Novo, I’d like to do this when I have some money (I have $1 to my name Atm)

they sell this EXACT foam at walmart in the bedding section

I recorded my last 6 songs with no foam or booth whatsoever ..you actually don’t need it if you have a high end mic or maybe even a cheap mic

May 18, 2015
11:31 pm
Novocaine, The Blue Collar King
Novocaine, The Blue Collar King
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small issue, they dont have walmart in australia.

 

i dont think its really completely necessary, but the room im working in is not reeeally suited to recording. anything i can do to help ill take it. and if it only costs me 20 bucks even better.

May 19, 2015
5:32 am
stretchSquiggles
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Novocaine, That Aussie Asshole said
small issue, they dont have walmart in australia.

 

i dont think its really completely necessary, but the room im working in is not reeeally suited to recording. anything i can do to help ill take it. and if it only costs me 20 bucks even better.

 

can’t you hag some quilts up around your comp/mic er whatever, blanket fort style? that should be at least a semi-functional sound booth. should be a cheep/free fix, to your problems.

"HAVE YOU FORGOTTEN, ONCE YOU SURRENDER THE ABILITY TO PROPERLY OPERATE YOUR MIND, YOU ARE THEN SURRENDERING THE ABILITY TO BE THE SHIT. AND THAT ONLY MEANS, YOU AINT SHIT ANYMORE."-SHAGGY2DOPE

May 19, 2015
6:34 am
Novocaine, The Blue Collar King
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Money isnt an issue. Realisticly I cpuld afFord to go buy a flashy noise filter.

But im trying to keep it bUdget. Hanging blankets n shit is a little unrealistic. As my workspace has to be functional.

 

Im just lazy to make the 20 minute drive to the foam shop hahha

May 19, 2015
6:46 am
scruffy
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all this stuff is incidental and low-priority.  if you aint sellin studio time, it barely matters.  

what matters first is writing, followed closely by performance, followed distantly by everything else.  

the terminology aint the same, if youre talkin production/engineering/whatever instead of vox, but the basic ideas are.  preparation, then execution, then a lot of minor shit.  

  awfully paranoid, arent you?   

May 19, 2015
6:57 am
Psyral Infection
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And I’m sure it depends on your audience. For me I really don’t care about the beats, the sound quality, the delivery or any of that. I barely hear that anyway – my mind just kind of ignores it as extraneous noise. I care only about the content of the lyrics. For me, if a song had lyrics I like, I like the song. I couldn’t tell you if a beat is “dope” or not, I pretty much ignore it anyway.

Yeah.gif
May 19, 2015
12:17 pm
Pigg
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Psyral Infection said
And I’m sure it depends on your audience. For me I really don’t care about the beats, the sound quality, the delivery or any of that. I barely hear that anyway – my mind just kind of ignores it as extraneous noise. I care only about the content of the lyrics. For me, if a song had lyrics I like, I like the song. I couldn’t tell you if a beat is “dope” or not, I pretty much ignore it anyway.

For me it has to at least be one or two of those. Honestly, there are too many sub-conscious workings to explain WHY I like a song.

May 19, 2015
3:05 pm
Hideous
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With the right plug-ins you can record in any environment. My computer is noisy, but most would never know from my recordings because I’ve got a good noise gate plug-in. Getting a good sound is mostly all in the software, as long as you’ve got a clean-sounding recording you should be fine.

This message was sent from my Atari 2600 through fiber optic cable made of fucks I no longer give.

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